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	<title>Invisibleman &#187; resources</title>
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	<link>http://invisibleman.com</link>
	<description>Original drawing, design and photography</description>
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		<title>Optimizing your portfolio for sharing and search</title>
		<link>http://invisibleman.com/2010/02/optimizing-your-portfolio-for-sharing-and-search/</link>
		<comments>http://invisibleman.com/2010/02/optimizing-your-portfolio-for-sharing-and-search/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 16:33:21 +0000</pubDate>
		<dc:creator>keegan</dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[illustration]]></category>
		<category><![CDATA[portfolio]]></category>
		<category><![CDATA[social networking]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=828</guid>
		<description><![CDATA[With the explosion in popularity of social networking such as Facebook and Twitter, it's important to make sure your portfolio site and it's individual pages can easily be shared and discovered by your obsessed fans.
]]></description>
			<content:encoded><![CDATA[<p><img alt="TWITTER_FB_JK.jpg" src="http://invisibleman.com/TWITTER_FB_JK.jpg" width="500" height="403" /><br />
With the explosion in popularity of social networking such as Facebook and Twitter, it&#8217;s important to make sure your portfolio site and it&#8217;s individual pages can easily be shared and discovered by your obsessed fans.<br />
<a href="http://www.n8w.com/newweb/index.php">Nate Williams</a> of <a href="http://www.illustrationmundo.com/wp/">Illustration Mundo</a> has been an avid supporter of embracing these social networking sites, and has added fields on the user pages for <a href="http://www.illustrationmundo.com/illustrators.php?twitter=t&#038;str_date=bc">Twitter</a>, <a href="http://www.illustrationmundo.com/illustrators.php?facebook=t&#038;str_date=bc">Facebook</a> and <a href="http://www.illustrationmundo.com/illustrators.php?buzz=t&#038;str_date=bc">Google Buzz</a> and <a href="http://www.illustrationmundo.com/illustrators.php?flickr=t&#038;str_date=bc">Flickr</a> accounts to be listed.<br />
People are sharing so much great content with their friends and colleagues, you will be missing out on a huge opportunity if you don&#8217;t make sure you have a way of getting your art out there.</p>
<p><span id="more-828"></span><br />
Equally important is keeping up with the best practices in making sure your site is optimized for search engines to crawl through and index all of your content. This is commonly known as &#8220;SEO&#8221; (search engine optimization).<br />
I realized I was slacking in both of these areas recently the other day, so I made a few tweaks to my site which I will help in this regard, so I figured I&#8217;d share them. My site is LONG overdue for a major redesign, but this is some low-hanging fruit that can make a big difference and it didn&#8217;t take too long.<br />
If you are using a recent version of a good blog package such as WordPress, Blogger or Moveable Type, you may not have to worry too much about this. Many of the latest versions offer fantastic optimizations to be very Google-friendly, and you can easily add some plug-ins for sharing to social networking sites.<br />
Here&#8217;s what I did:<br />
<strong>I created an RSS feed for all the latest entries on my site</strong><br />
Again, this is usually automatic using a good blog platform. My site is custom made, so I really needed this.<br />
Here&#8217;s my feed: <a href="http://jonkeegan.com/feed/">http://jonkeegan.com/feed/</a><br />
Good articles on RSS feeds:<br />
<a href="http://cyber.law.harvard.edu/rss/rss.html">http://cyber.law.harvard.edu/rss/rss.html</a><br />
<a href="http://w3schools.com/rss/">http://w3schools.com/rss/</a><br />
<strong>I created a sitemap of all the content on my site for search engines to crawl</strong><br />
A sitemap is really important for &#8216;dynamic&#8217; sites that use a small number of actual pages to load tons of content from a database. For example, all of my illustrations on my site are variations of this URL: <a href="http://jonkeegan.com/illo.php?id=123">http://jonkeegan.com/illo.php?id=123</a>. There isn&#8217;t a hard coded page with links to all of the stuff on my site.<br />
I was alerted to not having a good sitemap from Google&#8217;s awesome <a href='https://www.google.com/webmasters/tools' target='new'>Webmaster Tools</a>. This great dashboard lets you see all sorts of great info about how Google sees your site, errors it has encountered, and actually tips for improving performance. It also lets you submit a sitemap, or use an RSS feed of your site as your sitemap.<br />
I made a PHP file that lists all of the illustrations and other main collection pages that spits out as XML based on the format specified here: <a href='http://www.sitemaps.org/protocol.php'>http://www.sitemaps.org/protocol.php</a>. This could easily just be an XML file you make by hand, but as all of my illustration entries are in a database, it&#8217;s easy enough to spit this listing out.<br />
Here&#8217;s my sitemap: <a href="http://jonkeegan.com/sitemap/">http://jonkeegan.com/sitemap/</a><br />
<strong>Improved my page titles to reflect the content</strong><br />
This was also pointed out to me by <a href="http://www.google.com/webmasters/tools">Google&#8217;s Webmaster Tools</a>. All of my illo pages were just &#8220;Jon Keegan Illustration&#8221;. It&#8217;s not just the titlebar, but how it looks to the web crawlers, and in people&#8217;s bookmarks. So I made sure they display the title of the illo as well: &#8220;Jon Keegan: Act I, Scene I: The Cellphone Must Not Go On&#8221;. Much better!<br />
<strong> Improved metadata for sharing (making sure a posted link looks great in Facebook)</strong><br />
<img alt="facebook_meta_tags.jpg" src="http://invisibleman.com/facebook_meta_tags.jpg" width="500" height="672" /><br />
This one had annoyed me for a while. When I used to post links to any page on my site it would just show the boilerplate metadata description &#8220;Jon Keegan is an illustrator blah blah&#8221; and nothing about that particular illustration. So I now write the description of the illustration in the meta description tag (this all goes in the HEAD of the page before the BODY):<br />
<code><br />
&lt;META NAME='DESCRIPTION' CONTENT="This illustration ran in The New York Times....blah blah blah"&gt;<br />
</code><br />
Also key is this other tag which specifies an image that you want to use as a thumbnail for this page:<br />
<code><br />
&lt;link rel='image_src' href='http://jonkeegan.com/images/jon_keegan_announce_final_300_th_3.jpg'&gt;<br />
</code><br />
<strong>Links to share on Twitter and Facebook</strong><br />
This is very easy. Facebook and Twitter both have a simple way to share via a simple link. It&#8217;s just a simple URL specifying the link to the content and a title for it.<br />
Facebook: &#8220;<a href="http://www.facebook.com/sharer.php?u=http://jonkeegan.com/illo.php?id=174&#038;t=The title of your page here">http://www.facebook.com/sharer.php?u=http://jonkeegan.com/illo.php?id=174&#038;t=The title of your page here</a>&#8221;<br />
Twitter: &#8220;<a href="http://twitter.com/home?status=Check out this fine illo by @jonkeegan: http://jonkeegan.com/illo.php?id=174"">http://twitter.com/home?status=Check out this fine illo by @jonkeegan: http://jonkeegan.com/illo.php?id=174&#8243;</a><br />
Note on the Twitter link how I use my <a href="http://twitter.com/jonkeegan">@jonkeegan</a> Twitter username so people can follow me right from that link.<br />
So these are a few things I need to have ready for my new design right when I start. It&#8217;s always way easier to add this stuff at the beginning, raher than having to tack it on later.</p>
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			<wfw:commentRss>http://invisibleman.com/2010/02/optimizing-your-portfolio-for-sharing-and-search/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Moo business cards</title>
		<link>http://invisibleman.com/2009/06/moo-business-cards/</link>
		<comments>http://invisibleman.com/2009/06/moo-business-cards/#comments</comments>
		<pubDate>Sat, 06 Jun 2009 21:15:37 +0000</pubDate>
		<dc:creator>keegan</dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[business cards]]></category>
		<category><![CDATA[moo]]></category>
		<category><![CDATA[promotion]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=791</guid>
		<description><![CDATA[<p>
I often find myself out and about without any of my promo postcards in my man-purse, so I decided to finally get some business cards made. I have been really fond of all that U.K. &#038; Rhode Island based&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://invisibleman.com/moocards_850.html" onclick="window.open('http://invisibleman.com/moocards_850.html','popup','width=850,height=850,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img alt="moocards_500.jpg" src="http://invisibleman.com/moocards_500.jpg" width="500" height="500" /></a><br />
I often find myself out and about without any of my promo postcards in my man-purse, so I decided to finally get some business cards made. I have been really fond of all that U.K. &#038; Rhode Island based printing company <a href='http://www.moo.com/en/' target='new'>Moo</a> is doing in the print on-demand area, so I tried them out. For $22 (before shipping) I got 50 of these slick cards packed up tight in a downright Jobsian carrying case. The best part of their service is the image upload process. For your 50 cards, you can pick 50 images,  so each card will be unique. You can also just pick a few images, and have them repeat. Their cropping interface is great (as some of you may know, I happen to know a thing or two about cropping), and you can rotate the images as well. Assembling the back is just as easy, with a very tasteful set of type and layouts to choose from, and the ability to add an image as well. Moo also has really cool <a href='http://www.moo.com/en/products/stickers.php' target='new'>sticker books</a>, <a href='http://www.moo.com/en/products/minicards.php' target='new'>mini-cards</a>, <a href='http://www.moo.com/en/products/postcards.php' target='new'>postcards</a> and <a href='http://www.moo.com/en/products/greeting_cards.php' target='new'>greeting cards</a> you can make as well.<br />
<a href="http://invisibleman.com/moocards_850.html" onclick="window.open('http://invisibleman.com/moocards_850.html','popup','width=850,height=850,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false">Click for a larger view</a><br />
Link: <a href='http://www.moo.com/en/products/business_cards.php' target='new'>Moo business cards</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drip Stop</title>
		<link>http://invisibleman.com/2008/07/drip-stop/</link>
		<comments>http://invisibleman.com/2008/07/drip-stop/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 08:00:00 +0000</pubDate>
		<dc:creator>kerry</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=680</guid>
		<description><![CDATA[<p>
Illustration by Peter Arkle.
This week my Invisible Woman, Corrie Pikul, wrote a piece called Drip Stop for New York Magazine. In it, she tests and reports on the latest array of sweat prevention tools. If perspiration is problem&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://nymag.com/shopping/features/48658/" target='new'><img alt="sweaty080728_560.jpg" src="http://invisibleman.com/sweaty080728_560.jpg" width="500" height="404" /></a><br />
Illustration by Peter Arkle.<br />
This week my Invisible Woman, Corrie Pikul, wrote a piece called <a href='http://nymag.com/shopping/features/48658/' target='new'>Drip Stop</a> for New York Magazine. In it, she tests and reports on the latest array of sweat prevention tools. If perspiration is problem for you, please peruse.<br />
Corrie&#8217;s report received a wonderful full page treatment including the eye-catching illustration by <a href='http://www.peterarkle.com/' target='new'>Peter Arkle</a> seen above. You can see more of Peter&#8217;s work on his website: <a href='http://www.peterarkle.com/'target='new'>peterarkle.com</a><br />
&#8220;Small world&#8221; side note: Peter happens to be the husband of an editor at ELLE magazine, where Corrie works full-time!</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How I built my dynamic portfolio website</title>
		<link>http://invisibleman.com/2007/07/how-i-built-my-dynamic-portfolio-website/</link>
		<comments>http://invisibleman.com/2007/07/how-i-built-my-dynamic-portfolio-website/#comments</comments>
		<pubDate>Thu, 26 Jul 2007 02:24:15 +0000</pubDate>
		<dc:creator>keegan</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=413</guid>
		<description><![CDATA[<p></p>
<p>
For an illustrator or designer, redesinging one&#8217;s web portfolio can be one of the most gut-wrenching projects to work on, as you are often your own worst client to work for. I have probably dozens of photoshop files&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><img alt="dynamic_website.jpg" src="http://invisibleman.com/dynamic_website.jpg" width="500" height="389" /></p>
<p>
For an illustrator or designer, redesinging one&#8217;s web portfolio can be one of the most gut-wrenching projects to work on, as you are often your own worst client to work for. I have probably dozens of photoshop files of various versions of &#8216;new&#8217; designs for my website that never got built. Meanwhile, my site was growing some cobwebs, and my long-overdue overhaul was dead in the water.
</p>
<p>
So last fall, I made a deal with myself: You can keep the general design of the site in tact for the time being, but for god&#8217;s sake, make the site dynamic &#8212; SOMEHOW&#8230;and do it fast!
</p>
<p><span id="more-413"></span></p>
<p>
What do I mean by dynamic? I mean NOT a directory with 100 odd HTML pages, totally unlinked by any kind of navigation, each with different copyright dates at the bottom, hundreds of mutations of the old crappy HTML table layout. That was exaclty what my site consisted of when I started this project.
</p>
<p>
Having used the <a href="http://www.movabletype.org/" target="new">MovableType</a> content management system so much (which powers this fine website), I was determined to add some sort of database to hold all of my illustration entries, and have templates for each type of page I wanted. And most importantly, a REAL navigation that would be totally automatic, that would allow you to easily navigate between all of the pages on my site, without having to keep going back to the front page again to start all over. And the gravy would be a quick web-based method of administering the conent allowing me to edit the site from anywhere. But that&#8217;s just gravy. Not necessary.
</p>
<p>
I was inspired by <a href="http://www.n8w.com/" target="new">Nate Williams</a> over at <a href="http://www.illustrationmundo.com/" target="new">Illustration Mundo</a>, who built his whole fantastic site from scratch, after learning MySQL/PHP. He recommended a great book, and his description of how he tackled the project made it sound very doable, so I figured I&#8217;d take a stab at it.
</p>
<div style='float: left; margin: 20px'><a href="http://www.amazon.com/gp/product/0321336577?ie=UTF8&#038;tag=jonkeeganillu-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0321336577"><img border="0" src="http://invisibleman.com/21eoy7LocuL._AA_SL160_.jpg"></a><img src="http://www.assoc-amazon.com/e/ir?t=jonkeeganillu-20&#038;l=as2&#038;o=1&#038;a=0321336577" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></div>
<p>
So as luck would have it, while walking down the street to Gorilla coffee one day, I found a perfect copy of Larry Ullman&#8217;s excellent <a href="http://www.amazon.com/gp/product/0321336577?ie=UTF8&#038;tag=jonkeeganillu-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0321336577">&#8220;PHP and MySQL For Dynamic Web Sites&#8221;</a> sitting on a stoop of a brownstone. This must be fate! This was the book recommended to me by <a href="http://www.n8w.com/" target="new">Nate Williams</a>. I read through the basics, and decided what would be in the database.
</p>
<p>
The database would hold an individual record for each illustration with the follwing information stored in it:
</p>
<ul>
<li> a unique ID number to identify the illo</li>
<li> The URL of the illustration image</li>
<li> the title</li>
<li> the date of the entry</li>
<li> the client name</li>
<li> a description of the illustration</li>
</ul>
<p>
Then I would make an &#8216;illustration detail&#8217; page template that would use the ID number to fetch the data.
</p>
<p><strong>MySQL/PHP</strong></p>
<p>
MySQL is the software that crates, manages, queries and communicates with the database. PHP is the scripting language that is the link between the dynamic webpage and the data on the database. PHP code sits nestled among HTML, and allows for all sorts of tricks to fetch and process data from the database query. These are often mentioned together in the same breath (it&#8217;s a very common pairing), and they work very well together.
</p>
<p>
I should note that my experience with programming / scripting is mainly from Actionscript in Adobe&#8217;s Flash. It was very easy to start working with PHP, as it&#8217;s not terribly far from Actionscript or Javascript, and you won&#8217;t feel lost if you have experience with either of these, or any other scripting language.
</p>
<p><strong>Fill the Database</strong></p>
<p>
I had all 100 or so of my old illustration pages lying around, so I went through and extracted all of the text that I could, trying to get it all in one text file in BBedit, so it would be easier to insert it all into the database at once. After much text wrangling, I was able to import all of the text from my old pages into the database. I used the open-source <a href="http://cocoamysql.sourceforge.net/" target="new">CocoaMySQL</a> which has a friendly GUI interface, which made accessing the records in the database much more like using FileMaker.
</p>
<p><b>A note on web hosting and databases&#8230;</b><br />
If you are interested in tinkering with this stuff on your website, make sure you find out what your web host&#8217;s database policy is. Each hosting place sets them up slightly differently for their users, that is if your account supports them at all. I have hosted my site (and invisibleman) at Pair Networks in Pittsburgh (since 1996!) and they have an excellent and simple dashboard to setup databases on your account very quickly. I didn&#8217;t have to do any installation of software to get going, which was a huge help.</p>
<p><strong>PHP page templates</strong></p>
<p>
Once I had the database populated with information on my illos, I started to write the illustration detail page in HTML / PHP that would take a unique ID number from the end of the URL, and using that number, fetch the correct illustration record. So I cleaned up one of the more recent pages from my old site, added the PHP code, made a hook for the dynamic ID number, and cleaned up the code so it was all compliant.
</p>
<p>
The nice part is that I only have ONE page to do his for. All the pages spit out the same copyright, and &#8216;wrapper&#8217; for the dynamic content. They have the same exact code, so any changes happen on just one page. I then got the navigation working (you basically just increase the ID to go forward, or decrease it to go backwards), which was a bit more work, but went smoothly.
</p>
<p>
Since the detail page went so quick, I quickly whipped up other dynamic pages, I had long wanted on my site.
</p>
<div style='float: left; width: 265px; margin:5px' >
<img style='margin: 5px' src="http://jonkeegan.com/images/pubweekly_the_road_th_3.jpg" alt=""><br />
<img style='margin: 5px' src="http://jonkeegan.com/images/pubweekly_the_road_th_2.jpg" alt=""><br />
<img align='left' style='margin: 5px' src="http://jonkeegan.com/images/pubweekly_the_road_th_1.jpg" alt=""><br />
<img align='left' style='margin: 5px' src="http://jonkeegan.com/images/pubweekly_the_road_th_0.jpg" alt="">
</div>
<p><strong>Automatic Thumbnails &#038; Image Resizing</strong></p>
<p>
I also wanted to have automatic thumbnails and resized images created each time I upload an image to the site. Using the open-source <a href="http://www.imagemagick.org" target="new">ImageMagick</a> UNIX graphics libraries, I set up a web form that lets me upload an image from my desktop, then it resizes the image, and generates several versions of the same image. I picked two auto-cropped square thumbnail sizes, and then two proportional scaled versions of the whole image.
</p>
<p>
Now that I had thumbnails of different sizes, it allowed for all sorts of cool things.
</p>
<p>
It was very easy to generate a random quilt of images, using different thumbnail sizes, such as these:
</p>
<p>
<a href="http://jonkeegan.com/RAND.php?th=1&amp;rows=6&amp;cols=5" target="new">http://jonkeegan.com/RAND.php?th=1&#038;rows=6&#038;cols=5</a><br />
<a href="http://jonkeegan.com/RAND.php?th=0&amp;rows=3&amp;cols=10" target="new">http://jonkeegan.com/RAND.php?th=0&#038;rows=3&#038;cols=10</a>
</p>
<p>
This is what is used in my new &#8220;Random Recent Illustrations&#8221; panel on my front page.
</p>
<p>
I added a client view page, which takes the name of a client, then spits out all of the illustrations for that client. I also made a dynamic news page, so I can add news items to the database, and easily show an archive of all of the news entries.
</p>
<p>
<a href="http://jonkeegan.com/client_list.php?th=2&amp;client=The+New+York+Times" target="new">http://jonkeegan.com/client_list.php?th=2&#038;client=The+New+York+Times<br />
</a></p>
<p>
The latest tool I added to the back-end is an interactive cropping tool. This is essentially the exact tool I put together at my day job at WSJ.com, to help the editors make simple and quick crops to photos running on the website. This works really well (uses the excellent <a href='http://script.aculo.us/'>scriptalicious</a> Javascript library), and I wanted to be able to pick the crops for my square thumbnail images. I just went back and re-cropped all the auto-cropped images that looked bad, to make sure to focus on the faces of the characters in the illos, and it just looks so much better when you see them all on a page.
</p>
<div style='float: left; margin:20px' >
<img style='border: 1px #999 solid' src="http://invisibleman.com/jonkeegan.com_illo_cropper.jpg" alt="">
</div>
<p><br clear='all' /><br />
<strong>Content Editor</strong></p>
<div>
<img style='border: 1px #999 solid' src="http://invisibleman.com/jonkeegan.com_illo_editor_s.jpg" alt="">
</div>
<p>
Also, for adding new illustrations and editing old ones to this cool system, I would a simple editor of sorts that would let me quickly browse through the entries and make tweaks, and add new entries. This was much easier than I would have thought. I whipped this ugly but usable editor, and I have been using it for several months now.
</p>
<p>
Of course, the visual design of the site is still due for a big reworking, as is the HTML and CSS. There are ugly tables everywhere and embarrassingly bad CSS all over the place still (I didn&#8217;t know what I was doing in regards to CSS back then). I am looking forward to starting from scratch, knowing that all I need to build is a shell for all this dynamic content. It&#8217;s a much more manageable job now, and I can focus on making the work look really good, and the information easy to read, and improving the navigation.
</p>
<p>
Since I made this change, <a href="http://www.sitemeter.com/?a=stats&amp;s=s22jonkeegan&amp;r=12" target="new">I can say for a fact</a> that it has helped keep people looking at more of my work when they come to my site. Users used to drop in via a google image search result, look for a few seconds, then I&#8217;d lose them. At most people would look at 2 or 3 pages. Since I added the dynamic navigation, I see many people each day who will look at 80, 90 or 100 pages, and the average page view is much higher than it was. It&#8217;s nice to see that the work to improves the site actually translates into more eyeballs on the art.
</p>
<p><b><br />
My website: <a href='http://jonkeegan.com'>http://jonkeegan.com</a></b></p>
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		<title>Devorah Sperber</title>
		<link>http://invisibleman.com/2007/01/devorah-sperber/</link>
		<comments>http://invisibleman.com/2007/01/devorah-sperber/#comments</comments>
		<pubDate>Sat, 27 Jan 2007 18:44:02 +0000</pubDate>
		<dc:creator>kurt</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=336</guid>
		<description><![CDATA[<p>
Although this looks like a pixilated Photoshop image of a Jan van Eyck painting, it&#8217;s actually a tapestry of 5,024 spools of thread hung upside-down in vertical rows by the artist Devorah Sperber.  An optical device in front of&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><img alt="van_eyke2.jpg" src="http://invisibleman.com/van_eyke2.jpg" width="500" height="500" /><br />
Although this looks like a pixilated Photoshop image of a Jan van Eyck painting, it&#8217;s actually a tapestry of 5,024 spools of thread hung upside-down in vertical rows by the artist<a href="http://www.devorahsperber.com/" target="new"> Devorah Sperber</a>.  An optical device in front of the piece encapsulates the van Eyck in miniature.  See it at the<a href="http://www.brooklynmuseum.org/exhibitions/sperber/" target="new"> Brooklyn Museum of Art</a> until May 6th.</p>
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		<title>Pearl Paint Framing Shop</title>
		<link>http://invisibleman.com/2006/08/pearl-paint-framing-shop/</link>
		<comments>http://invisibleman.com/2006/08/pearl-paint-framing-shop/#comments</comments>
		<pubDate>Tue, 22 Aug 2006 21:26:18 +0000</pubDate>
		<dc:creator>kerry</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=287</guid>
		<description><![CDATA[<p>
I recently had two paintings framed at the Pearl Paint Framing Shop on Lispenard Street in Manhattan. My girlfriend and I were very pleased with the experience. The manager, after politely showing us the frames we had selected, steered&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://invisibleman.com/kon_mcdougal_frame3.html" onclick="window.open('http://invisibleman.com/kon_mcdougal_frame3.html','popup','width=681,height=555,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://invisibleman.com/kon_mcdougal_frame-thumb.jpg" width="500" height="407" alt="" /></a><br />
I recently had two paintings framed at the <a href="http://www.pearlpaint.com/index.htm" target="new">Pearl Paint Framing Shop</a> on Lispenard Street in Manhattan. My girlfriend and I were very pleased with the experience. The manager, after politely showing us the frames we had selected, steered us towards several frame choices we had overlooked. His two favorites were the frames we eventually purchased. While not the most cheerful fellow, he was professional, polite, and most importantly, had a keen eye.<br />
The painting above is one of my own and the subject of a <a href="http://invisibleman.com/archives/drawings/000198.html" target="new">previous post</a>.<br />
The piece below is an oil painting by <a href="http://neilplotkin.com/" target="new">Neil Plotkin</a>, a good friend of mine and an excellent painter. I encourage you to view more of his work on his website: <a href="http://neilplotkin.com/" target="new">neilplotkin.com</a>.<br />
<a href="http://invisibleman.com/kon_neil_frame2.html" onclick="window.open('http://invisibleman.com/kon_neil_frame2.html','popup','width=574,height=555,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://invisibleman.com/kon_neil_frame-thumb.jpg" width="500" height="483" alt="" /></a></p>
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		<title>Show &amp; Tell @ Monkeytown in Brooklyn</title>
		<link>http://invisibleman.com/2006/08/show-tell-monkeytown-in-brooklyn/</link>
		<comments>http://invisibleman.com/2006/08/show-tell-monkeytown-in-brooklyn/#comments</comments>
		<pubDate>Wed, 02 Aug 2006 23:00:16 +0000</pubDate>
		<dc:creator>keegan</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=277</guid>
		<description><![CDATA[<p>
Our invisiblepal Leejone Wong has collected all the pieces, hunkered down and completed the re-animation process of her amazing Show &#038; Tell sessions&#8230;and they are back, and badder than ever.
Moving on from the fabled 184 Kent in Williamsburg,&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.monkeytownhq.com/showandtell.html" target="new"><img alt="sandt.jpg" src="http://invisibleman.com/sandt.jpg" width="500" height="592" /></a><br />
Our invisiblepal <a href="http://www.showandtell184.com/" target="new">Leejone Wong</a> has collected all the pieces, hunkered down and completed the re-animation process of her amazing <a href="http://www.showandtell184.com/" target="new">Show &#038; Tell</a> sessions&#8230;and they are back, and badder than ever.<br />
Moving on from the fabled 184 Kent in Williamsburg, Leejone has moved Show &#038; Tell to the super-cool <a href="http://www.monkeytownhq.com/showandtell.html">Monkeytown</a>. This is a very cool performance space, in the back of a great restaurant&#8230;Truly a cozy and intimate place to hear about people&#8217;s cool projects.  For your modest $10 ticket, you get a delicious appetizer to munch on and a free drink to enjoy while taking in some fascinating creative people share their work and stories (make sure to call ahead and book a reservation).<br />
Leejone has been running Show &#038; Tell&#8217;s for quite some time now, and they are fascinating, fun and inspiring sessions you won&#8217;t soon forget. Read on to see this week&#8217;s line-up&#8230;</p>
<p><span id="more-277"></span></p>
<blockquote><p>1) THE FOUR SHOPPING CARTS OF THE APOCALYPSE<br />
Taking the current controversy over the role of American evangelicals<br />
as a starting point, I&#8217;ll perform an illustrated essay about<br />
evangelical portrayals of Jews, when evangelicals drag as Jews, why<br />
evangelicals think they make the best Jews, and what theme parks and<br />
evangelical performances can teach us about the fetishization of<br />
Jerusalem and Israel.<br />
<br />
2) THE FIRST DISAPPOINTMENT<br />
Some Melodies Regarding Blood Moons, Telegraphy, Rapture, Revolt, and<br />
Revival, as well as Comets, Meteor Showers, the Aurora Borealis, the<br />
Burnt Over District, and the Great Disappointment was performed by an<br />
eight-vehicle orchestra on the 28th of July. At Show and Tell Mary and<br />
Danyel will have a multimedia presentation about this performance. A<br />
suite of songs was composed by various musicians including participants of the Bang On a Can Music Institute. Vocal and instrumental components are played separately through individual car stereos, collectively creating a complete song within the circle.<br />
<br />
3) Emiko Kashara will present SHEER, an ongoing participatory sound<br />
and sculpture installation exploring stories of loss from people<br />
around the world in the context of completed works. In Japan, Emiko is<br />
widely exhibited and was known for her sculpture and later for a<br />
variety of media such as video installation and performance work.<br />
Since moving to New York, she has exhibited all over the world, most<br />
recently at the Sydney Biennale,and at the Volkskundermuseum graz,<br />
Austria.<br />
<br />
4) 15 FEET OF MAYONNAISE: ABOUT NEWTOWN CREEK<br />
Kate Zidar, a  member of Newtown Creek Alliance, will present a slide<br />
show about a bike tour she and Brendan FitzGerald did circumnavigating<br />
the creek. She will discuss recent developments on the creek and the<br />
sordid past of one of the country&#8217;s most polluted waterways. Kate<br />
Zidar is Program Director of Environmental Education at the Lower East<br />
Side Ecology Center. Kate has worked previously as an Assistant<br />
Planner with the Planning Center at Municipal Art Society and as a<br />
consultant for NYC Housing Authority&#8217;s Greening and Gardening Program.<br />
She is active with many community-based organizations such as Newtown<br />
Creek Alliance, Water Resources Group and the East River Network. She<br />
is a Master Composter and an active member of Green Dome Community<br />
Garden in Brooklyn..</p></blockquote>
<p>
Leejone also has a very cool project underway at <a href="http://unfinishedproject.com/" target="new">unfinishedproject.com</a>. Leejone describes it a bit here:</p>
<blockquote><p>Many of you have courageously and ceaselessly forged ahead despite a few of those projects that got left to the wayside, crashed and burned into bits of stinky poo &#8211; or simply never ended. I&#8217;ve come to hope and believe, as may you, that an unfinished project can be a blessing &#8211; a nonsensical path to a larger, invisible work-in-progress. Or &#8211; some of us just need to be told that there’s no shame in letting it go, man&#8230;</p></blockquote>
<p>Go support this cool project at Monkeytown this Saturday!</p>
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		<title>Texture Library</title>
		<link>http://invisibleman.com/2006/05/texture-library/</link>
		<comments>http://invisibleman.com/2006/05/texture-library/#comments</comments>
		<pubDate>Fri, 19 May 2006 03:49:37 +0000</pubDate>
		<dc:creator>keegan</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=241</guid>
		<description><![CDATA[<p>
One of the items on my to-do list recently has been to expand my &#8216;texture library&#8217;. Since I have moved over to doing all of my color on the computer, texture is more important than ever. If there is&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><img alt="texture_sampler.jpg" src="http://invisibleman.com/archives/texture_sampler.jpg" width="500" height="300" /><br />
One of the items on my to-do list recently has been to expand my &#8216;texture library&#8217;. Since I have moved over to doing all of my color on the computer, texture is more important than ever. If there is a large area of flat color, and it is just &#8216;paint-bucketed&#8217; in Photoshop, the flatness screams &#8220;Computer!&#8221;. The look I am trying to achieve is one that is more hand-made. I try to use custom brushes with my Wacom tablet as much as possible, but sometimes an area needs a bit of real-world texture to break the flatness&#8230;<br />
The swatches above are from a few of the textures I worked up this week. They will be much more subtle when included in my  work, sometimes only a tiny corner of one, but having a variety on hand is a valuable part of the illustrator&#8217;s tool-belt.</p>
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		<title>Photoshop Brushes</title>
		<link>http://invisibleman.com/2006/01/photoshop-brushes/</link>
		<comments>http://invisibleman.com/2006/01/photoshop-brushes/#comments</comments>
		<pubDate>Fri, 20 Jan 2006 14:29:16 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=178</guid>
		<description><![CDATA[<p>Caught the Pixar show at Moma today with Keegan and it was pretty mind-blowing (more on that later).  First thing I did when I got home was to refine my photoshop settings and create some custom photoshop brushes &#8211;  which&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p>Caught the Pixar show at Moma today with Keegan and it was pretty mind-blowing (more on that later).  First thing I did when I got home was to refine my photoshop settings and create some custom photoshop brushes &#8211;  which I&#8217;d forgotten was quite easy: [select object within 999x999 pixels and go to 'Define Brush Preset' under Edit].  Below was my test sheet.<br />
<img alt="photoshop-brushes.jpg" src="http://invisibleman.com/archives/photoshop-brushes.jpg" width="500" height="444" /></p>
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		<title>Photo Reference</title>
		<link>http://invisibleman.com/2006/01/photo-reference/</link>
		<comments>http://invisibleman.com/2006/01/photo-reference/#comments</comments>
		<pubDate>Wed, 18 Jan 2006 20:34:39 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://sketchbooks.com/invis/wordpress/?p=177</guid>
		<description><![CDATA[<p>
I always try to use photo reference when working on an illo.  If the situation calls for drawing a recognizable person I like to build a photoshop collage; maybe shoot seperate reference photos for the pose or incoporate parts&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><img alt="photoref.jpg" src="http://invisibleman.com/archives/photoref.jpg" width="500" height="316" /><br />
I always try to use photo reference when working on an illo.  If the situation calls for drawing a recognizable person I like to build a photoshop collage; maybe shoot seperate reference photos for the pose or incoporate parts of a sketch.  The example above was an illo I did for wsj.com&#8230; a portrayal of the Worst President Ever.</p>
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